The term catastrophe is used in a common parlance, and as yet it cannot be decrease to a formula, for it has so more than shades that it actually defies a logical analysis. An American critic has admirable summed up disaster in a a couple of(prenominal) oral communication: hoagyism and inevitable defeat. Now-a-days we can neer think of a cataclysm without an uncheerful ending. But the Hellenics did. Philoctetes by Sophocles, for example, has no disturbed ending. on that point is a similarity in the midst of the ancient classic tragedy and a new Tragedy. The electric ray and certain different characters ar caught in a difficult situation. The character and diagram in most of Tragedies are relate up. In Greek Tragedies designate walkawayed a real important part, nevertheless afterward the Renaissance character became more and more prominent. In few of Shakespearian Tragedies, despite the enormousness of character, the motivation of accomplish comes from the magical forces or even extraneous circumstances. In modern Tragedies, the hero is often the victim of social forces. Aristotle defined Tragedy as a representation of an action, which is sobering; complete in itself, and of a certain length; it is verbalised in obstetrical oral communication made beautiful in different ways in different parts of the play; it is acted, not narrated; and by bring up pity and fear it gives a healthy relief to much(prenominal) emotions. Tragedy must(prenominal) be spoudaious i.e.
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noble, serious, and elevated. The Greek solution for Tragedy is tragoidia, which convey something serious, solely not necessarily a gambol with an unhappy ending. Plato has called Homers Odyssey a Tragedy, though it is not drama. earnestness of subject is what unfeignedly matters. Tragedy, F. L. Lucas maintains, had trey different meanings in the trey periods of literary hi craft floor. In ancient times, a Tragedy meant a serious drama; in medieval times, a Tragedy meant a story with an... If you want to wank a full essay, evidence it on our website:
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